La Resurrezione HWV 47
Oratorio in two parts
by George Frideric Handel
4-Part - Sheet Music

Item Number: 19533112
5 out of 5 Customer Rating
Price reduced from $300.95 to $270.85
Order On Demand
  • Ships in 1 to 2 weeks
Product
Unauthorized duplication hurts music creators. Please ensure you purchase the number of copies needed to accommodate all members of your ensemble.

Taxes/VAT calculated at checkout.

Share Share
Instruments
Alto Voice
Soprano Voice
Bass Voice
Voice Solo
Double Bass
Choir
Recorder
Tenor Voice
Ensembles
4-Part
SATB
Orchestra
Mixed Choir
Genres
Baroque Period
Composers
George Frideric Handel
Publishers
Baerenreiter Verlag
Series
Barenreiter Urtext
Item Types
Physical
Editions
Urtext Editions
Complete Editions
Musical Forms
Oratorio
Usages
School and Community
Solo voices, choir, orchestra (2 Soprano Voice Solo, Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, SATB Choir , Fl, 2 recorder, 2 Ob, bassoon, 2 Trp, trombone, 4V, Va, Vagb, Bassi (Vc, double bass, Erzlaute, Lt-B, harpisc.))

SKU: BA.BA04096

Oratorio in two parts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 3. Complete edition, Score. HWV 47. Duration 1 hour, 50 minutes. Baerenreiter Verlag #BA04096. Published by Baerenreiter Verlag (BA.BA04096).

ISBN 9790006550098. 33 x 26 cm inches. Text Language: Italian. Preface: Terence Best. Text: Carlo Sigismondo Capece.

The Italian oratorio "La Resurrezione" (The Resurrection) was written during Handel’s time in Rome. It was performed on Easter Sunday 1708 with great splendour and extravagance by a large orchestra conducted by Arcangelo Corelli in the Palazzo Bonelli, the Roman palazzo of Handel’s patron the Marchese Francesco Maria Ruspoli.
In its dramatic structure and characterisation of the protagonists, the work displays a striking affinity with Italian opera. Lucifer’s raging sixty fourth notes call to mind the demon characters in Venetian opera and Maddalena’s arias are so full of expressive power and virtuosity that Handel later incorporated one of them into his opera "Agrippina". The unusual musical richness of this work and the virtuosic and masterly shaping of the arias make it a welcome addition to any concert programme.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?

MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding